My Favorite Conspiracy Theory by Panama Jackson

Moon...or New Mexico?? You tell me.

Conspiracy. (noun). An agreement to perform together an illegal, wrongful, or subversive act.

I think too much (and I also know that I shouldn’t give too much credence to conspiracy theories).

And as is such, I tend to come up with lots of random conspiracies and non-sense that at the time may seem to make sense. Though I’d like to point out that the Law of Averages says that somewhere along the way, at least one of my rants is going to be on the money. For instance, I’m still convinced that Starbucks is indeed “the man” that we speak about in our day to day activities. I’ve never been fully convinced that West Virginia actually exists as a state but is more or less a place that aliens and white people come from and use as training grounds in case black people get too “uppity” because most normal people have never been to West Virginia nor questioned its existence.

But there is real conspiracy out there that is threatening black existence in inner cities everywhere. It is the precursor to Starbucks. It is what makes it possible for the idea of Starbucks in the ghetto to exist. It is none other than…

…the white listserv.

Yes. You read that right.

What is the white listserv?? I feel a definition coming on.

White Listserv. (noun). formerly known as the white phone call, white fax, white morse code. Created in the 1960′s and evolving over time, this white listserv is the means of communicating to white peoples (primarly WASP’s) across the nation of the neighborhoods in particular cities that are scheduled to be relieved from Blacks and/or Latinos control and transformed into inner city urban enclaves of gentrification and just all around whiteness. Synonyms: Starbucks.

Let’s examine this shall we? Yes, let’s. In the beginning there were neighborhoods. Inner city neighborhoods. They consisted of mostly white people and black people were confined to the slums and ghettos of the city. One day, a lone black man, let’s call him, James, made some money and started the trend of other black folks making money and decided to move to where the white people were. They didn’t mind one black face and James seemed nice enough. His wife was high yaller and his kids could read. But more black folks made money and followed James. And it started happening throughout the country.

We reached the residential tipping point. So what did white people do? Created suburbs and got the hell out of dodge. So now the slums just moved to where ever James was because as is fact, when everybody finds paradise, it ceases to remain paradise.

Say it unison with me: Damn damn damn James.

This occurred for a good 30 years.

Well one day circa 1980, James’ old neighbor, let’s call her Jenny, decided that she wanted to move back in to the city. That’s where all the amenities and services were, as well as the parks, black men, and Icey’s. But Jenny wasn’t sure where to move because all of the neighborhoods were inhabited by les negroes. She asked a friend who asked a friend and that’s when it happened.

The first white phone call. The call intended to tell Jenny where a prime spot would be to move because they were taking it over. Who is they?? The white people. She was told the area, found a place and moved in and lo and behold, the neighborhood changed. This situation began to occur in major cities everywhere but more slowly and with more subtlety and to mostly fringe areas close enough to the suburbs but still in the city.

Now they’re everywhere. Now they’re in neighborhoods that only a few years ago white people wouldn’t dream of walking thru for fear of being robbed in their sleep. But lo and behold, there they are. Walking down Georgia Avenue in Washington, DC; or Atlantic Avenue or Fulton Street in Bed-Stuy, Brooklyn; or down Lowery Blvd (though it will forever be Ashby Street in my heart) in Southwest Atlanta’s West End community. You know those places where seeing a white person initially made you do a complete double take; one that almost made you crash.

However, there they were walking their dogs or jogging as if they didn’t realize they were playing with their lives.

These are all people who today get “the e-mail.” Yes that one from the white listserv who told them that if they bought in now, they would see tremendous gains on their property value becasue the neighborhood was going to be flipped into an inner city enclave of diversity, though the goal would be 65 percent persuasion and 35 percent unpersuasion. If they could live with it for 2 years tops, their dreams of inner city living complete with all that the city has to offer would become a reality.

They took up the offer.

And it’s still going on across America right now. White e-mails are being sent out left and right. Neighborhoods that normally would be be black through and through are now becoming enclaves where white people feel safe because they got the email. It’s my thought that somehow when you’re born and receive a Social Security Number, that they tag you if you match the necessary criteria. They have some white indicator. This same white indicator pushes you to different white listservs if you marry a black person and have black children. You’re priority becomes different…however you’re still on the list and when you receive that first email, they make you pledge to never tell a person of color, unless your husband or wife is indeed, colored.

All thanks to the white listserv…existing in a community near you.

So um, yea, that’s my favorite conspiracy theory…what’s yours?? You read books, I know you’ve got one!

HAPPY GEMINI SEASON!

-VSB P aka THE ARSONIST aka MR. GET YO’ HAND OUTTA MY POCKET aka GIIIIIIIIIIIIIRL HE A 3

***DC PSA: For all you suckas that don’t know, on June 2, 2012, VSB is bringing you another edition of the monthly party dedicated to all 90s everything: REMINISCE. Except this June edition is extra special because it’s not only the Gemini Birthday Bash…it’s also PANAMA’S BIRTHDAY!! So If you’re in DC, please come out and celebrate Panama’s birthday with him so he can personally thank you and try not to take so many shots that he passes out and doesn’t remember the evening! And remember…it’s free before 11pm with RSVP (link coming soon), open bar from 930-1030pm, and no dress code. It’s the best damn house party at a club in the city!! Wear shorts! Be comfortable. And party with Panama!!!!***

Hova Speaks, Will Hip-Hop Follow (Again)?: Will Jay-Z’s Support of Gay Marriage Help Hip-Hop Become Less Homophobic?

Although it was a forgettable song (well, forgettable sans for Pharrell’s hook) on an even more forgettable album, the video for “Excuse Me Miss” remains underrated in regards to how much of an influence it had on pop culture.

There’s a scene in it that shows Jay-Z typing on a very cumbersome and very cool looking device that was far too big to be a Motorola two-way and far two small to be a laptop. This mysterious device was the first T-Mobile Sidekick, and it’s inherent coolness combined with the coolness of Jay-Z using one made it the “it” electronic device of the year. I bought one a week after seeing the video. (And, because of T-Mobile’s draconian termination fee and contracts, I hold the dubious distinction of being the only person on Earth to own a Sidekick in 2002 and in 2009)

If you remember, at that time cell phones were getting smaller and smaller — a point parodied in this hilarious SNL skit. The Sidekick was the first phone to start the shift back to big  — leading to today’s behemoths — and Jay-Z deserves (at least) partial credit for spearheading that trend.

I’m bringing this up because, regardless of how you feel about Jay-Z the artist/former drug dealer/freemason/”business, man” you can’t deny the fact that he’s wielded a major influence on Black culture in the last 15 years. If the Sidekick story isn’t proof enough for you, think about this: Remember how cats used to spend hundreds of dollars on throwback sports jerseys; rocking them to night clubs, weddings, proms, and funerals and sh*t? Jay-Z managed to pretty much dead that trend with half of a bar .

“I don’t rock jerseys, I’m 30 plus…”

 

Now, unless you’ve been hiding in James Harden’s beard over the past week, you’ve undoubtedly heard that Jay-Z came out in support of same-sex marriage. I’m not going to spend today breaking down the apparent hypocrisy and lack of sincerity of someone who has repeatedly used the word “faggot” in his work denouncing people who oppose gay marriage. Whether this is a political move to impress (and keep) his high society friends is not my concern.

What I am concerned about, though, is whether Hov has the type of pull to change the attitude of what is arguably the only billion-dollar entity in the world where it’s not just ok to be violently homophobic, it’s encouraged: Hip-Hop. (And yes, today, in 2012, Hip-Hop/Rap is more violently and vehemently homophobic than any other major “thing” you can possibly name. Nothing else beats us it right now.)

I’d be remiss if I didn’t mention that Hova isn’t the first prominent Hip-Hop artist to start the homophobia is bad train. Both KRS-One and Chuck D have spoken out against it, and Drake’s entire career seems to be a pro-gay PSA. Eminem’s Grammy performance with Elton John still remains the awkwardest five minutes of TV I’ve ever seen.

Also, Jay’s protege has done more to spearhead this current era of skinny-jeaned Hip-Hop androgyny we live in than any other person, and the most popular female rapper ever has cultivated a persona that’s somehow asexual, bisexual, and hyperheterosexual all at the same time.

Basically, while I won’t go as far as to say that hip-hop was already becoming more gay friendly before Jay-Z’s statement, it does seem like it’s been progressively less antagonistic towards homosexuality. Will Jay-Z’s considerable voice and presence be enough to help hip-hop evolve past accepted homophobia? I don’t know. I do know that the fact that I’m somehow still tied into my T-Mobile contract means I wouldn’t bet against it happening.

—Damon Young (aka “The Champ”)

“Why Won’t Kevin Durant Brush His Hair?”…And More Questions That Need Answered Right. Now.

Kevin Durant, making his own personal protest for not winning MVP

Earlier in the week, I joked that a degree in Black Studies is about as useless as thumbs on a roach. Now, I obviously wasn’t serious — I wouldn’t be arrogant enough to dismiss an entire field of study (I’ll let Naomi Riley do that) — but I do think that the Black Studies’ curriculum offered at most universities should expand their horizons a bit and include some things we really, really, really need to get to the bottom of, including…

Why won’t Kevin Durant brush his hair?¹

Is it a silent protest for not winning MVP? Do his naps give him power the same way Rick Ross gets his from his areolas? Did he lose a bet with a genie? Is he allergic to brush bristles? Is he actually just the grown up version of Dookie from “The Wire?” Are him and Russell Westbrook having a year-long contest to “out nerd” each other?

Seriously, I’m actually more interested in why Kevin Durant — a man who happens to be the second best basketball player on Earth — has apparently never brushed his hair than I am in any current unsolved mystery, including who really shot JFK, what the hell happened to Lark Voorhies, and what do vegans eat to make their farts smell like the tree frog from “Pan’s Labyrinth?”

Who invented the booty clap?

Look, while I have an active YouTube account, I’m no expert on bootyology. Despite this, I know that ratchet women weren’t clapping their ass cheeks together 15 years ago the way they all seem to be able to now. (Btw, the only way that link is safe for work is if you happen to work at Waffle House)

I concede the possibility that, 15 years ago, I just wasn’t in the type of circles where ass clapping was frequent, but I doubt this to be true. I get the feeling that if there was ass clapping to be found 15 years ago, I would have found it. I have a nose for ass.

Anyway, since all evidence points to the fact that it’s a recent invention, I’m curious to find out who the hell invented it. Very curious. In fact, I’d greatly appreciate it if somehow could put me in contact with her so I can, um, contact her for an interview.

How did we allow a typical hoodrat Puerto Rican from the Bronx become the most popular character on “Black” TV and the symbol for all that’s wrong with Black women?

Clutch’s Kirsten West Savali already touched on this subject much more thoroughly than I plan to, but really Black America? We have a show created by, catering to, and featuring Black women at their most ratchet, and we allowed a Puerto Rican from the Bronx — the freakin Bronx!!! — to hijack it? What’s up with that? 

(Oh, and for those who want to claim that some African ancestry makes her Black, I’m not claiming her ass. I just barely got over the fact that we need to claim Allen West. There’s no way I’m making room at the table for Evelyn too)

Did anyone ever find Toure’s cousin?

A couple years ago, Toure’ — the world’s newest negro ever invented — caught a bit of heat for suggesting that slaves occasionally seduced their masters. When the heat got too hot, he blamed his cousin for hacking into his Twitter account and making those remarks.

It’s been two years since this occurred, and not only has there still been no sign of this cousin, it seems as if we’ve just stopped searching for him. Perhaps he’s hiding in Kevin Durant’s hair.

Anyway, that’s it for me today. Can you think of any other pressing questions/mysteries that we need to get to the bottom of? Also, if anyone has any answers to any of my questions, please let me know.

¹Why do I get the feeling that the real answer to this question is on some uber-sad “He doesn’t brush his hair because he wants to honor the memory of his dead uncle, who was killed while only carrying a hairbrush”-type shit?

—Damon Young (aka “The Champ”)

***Btw, we’re still receiving submissions for Very Smart Singles, but there’s something I wanted to make clear. While it’s true that each single will get a post devoted to them when we publish the profiles, comments will be closed. I repeat, comments will be closed.  While people here generally behave themselves, I wouldn’t let a person put themselves out there to get critiqued and pick apart. People interested in the single will have to email us at contact@verysmartbrothas.com***

Why It’s True That Men Need To Fall For Women A Bit Harder Than They Fall For Us

"I'm smiling now, but if you bite my neck again, this'll be the last time we have pier sex"

One of the best (and worst) things about being an adult is the occasional realization that certain things you never wanted to believe to be true are, in fact, true. On a macro level, these realizations are good because they help you grow and see the world for what it truly is and blah, blah, blah, blah, blah. But, however good this knowledge may ultimately be, it still stings a bit to learn that you believed some wrong-ass shit.

In the past few years or so I’ve had (at least) two such realizations. One was already touched on by Panama last week in “Is This What Growed Up Feels Like?” But, while P admitted feeling a little ashamed that he was a fan of such ignant rap, I feel no such shame. I’ve stopped trying to explain how the misogyny, nihilism, and overall misandry present in much of popular rap — even rap made by “conscious” artists — is just some sort of postmodern social commentary reflecting on the trails and tribulations of post-industrial inner city society and finally admitted to myself that I just happen to like some ignorant-ass, vulgar-ass, violent-ass music that’s ignorant, vulgar, and violent for no reason. I’m not sure what exactly that says about me, but it’s about time I stopped trying to believe that wasn’t true.

The second realization wasn’t as easy to accept. I was either at my friend’s aunt’s house or outside of a greyhound station bathroom (can’t remember which) when I first remember hearing that “a man should love his wife a bit more than she loves him.”  In both instances, I was too busy making sure no improbably fast six-legged creatures crawled on my chicken to pay much attention to the phrase.

As the years passed, I began to hear it more and more, but it was never actually said with any type of sane explanation. A girl I dated in college once told me that her mom told her never to like a boy more than the boy likes her. When she asked her why, she apparently mumbled, shook her head, and said “because you don’t want to end up with the gout and worms like your grandmother, that’s why.”

Explanation or not, that sentiment just never really sat right with me. A relationship idealist, I believed that the best partnerships were formed when both parties fell in love simultaneously and loved each other equally. Plus, as a young man doing whatever the f*ck I needed to do to stay the hell away from any burgeoning relationship with “friend’s zone” potential, the idea that I need to be more into a woman than she was into me was an affront to my pride and the complete antithesis of everything I “learned” from the baseheads selling jumper cables outside of my barber shop through experience.

I don’t know exactly when or where I started to accept this sentiment as truth, but I do know today that it is undeniably, unequivocally, and uncomfortably true. Thing is, while (many) men seem to reject this sentiment because it seems to balance the dating and relationship scale in the woman’s favor, it’s actually necessary because that part of the game is already balanced in our favor. Us falling first and harder doesn’t do anything but even things out.

To wit, I’m assuming most of the thousands of men who will visit this blog today have been in at least one good relationship, and possibly more. I’m also going to assume that, in at least 50 percent of these relationships, the guy eventually “won” the woman over by “growing on” her. Basically, he was really feeling her, she was “eh” about him at first, but he eventually managed to somehow convince her that he was worth being with/sleeping with/swallowing, etc.

Now, if I were to ask how many of these men ended up happy with a woman that they were “eh” about at first until she convinced him that she was worth being with, I doubt I’d get many replies. In fact, I wouldn’t be surprised if I didn’t get any.

Because of certain sociological and biological factors largely out of our control, women aren’t really able to grow on men the same way we can grow on them, making it paramount that we (men) are the ones who show the most initial interest. Basically, while there’s a good chance that a good relationship can spring if a guy has grow on a chick, there’s absolutely no chance of it happening if the opposite occurs.

Also, another completely unscientific and unresearched theory to add to the rest of the completely unscientific and unresearched theories presented today is that men who aren’t head over hills about the woman they’re with are more likely to do things that “unsettled” men do — i.e., cheat, be non-committal, stay emotionally unavailable, etc.

Obviously, men in love do still do these things, but I just don’t think it happens as often as a man who doesn’t really feel like he put the time and effort into “winning” anybody. Just as women are more likely to value men who are wanted by other women but chose to pursue them, men are more likely to value the women they chose to attempt to win. It’s a truth I didn’t really want to admit, but I guess learning new shit is the best part about being a grown-up. (Actually, being able to drink moosetracks milkshakes for breakfast while sitting on your couch butt-naked and watching “Miller’s Crossing” without anyone saying a gotdamn thing is a pretty good part about being a grown-up, but that’s besides the point)

Anyway, people of VSB, do you think think it’s true that the best relationships happen when men fall in love a little harder and a little faster than the woman they’re with? (For some strange reason, I get the feeling that the responses will be split along gender lines. I may be wrong, though) 

—Damon Young (aka “The Champ”)

Is It Ever “Ok” For Whites To Criticize Blacks?

Last weekend, one of my homegirls invited me to go see “The Dutchman” — a 45 minute long one act play that’s intended to serve as an allegory for Black/White relations in America. Since Saturday was the last day it would be playing at the Bricolage Theater — and since my particular form of bougie Blackness calls for me to witness or partake in at least one “serious” conversation about race per month to offset my affinity for bottomless mimosas — I couldn’t pass it up.

Intense, disturbing, (occasionally) melodramatic, and intentionally provocative, the play itself was pretty much what I expected it to be. The most interesting part of the evening, though, was the “talk back” — the planned, hour-long discussion about race that took place right afterwards; a conversation involving cast members, the theater production people, and the audience. The theater only holds maybe 60 seats, and it’s structured so that the audience surrounds the stage on all sides. A quick jaunt to Goggle shows that this is called “theatre-in-the-round” — the perfect format to have a group discussion.

As you may have guessed, the audience was (mostly) comprised of Black people and the type of ultra-liberal, well-intentioned Whites who wear t-shirts with things like “White Privilege Sucks” written on them — basically, the exact type of audience that’s always present in any “serious” and open discussion about race that most of us have been a part of. And, usually these discussions are nothing but us (Black people) sharing our stories and airing our grievances while the Whites in the crowd nod solemnly and occasionally share their own self-depreciating stories about when they first realized that all White people are evil racists.

There was one person, though, who didn’t stick to the usual script. She was biracial (White and Native American), and she shared some not-so-positive experiences and feelings involving Black people. Her statements went over about as well as a fart in a crowded elevator; you could hear people groaning and sighing while she was talking, and everyone there — myself included — couldn’t wait to respond to and rebut some of the things she was saying.

Now, part of the reaction to her definitely had to do with her delivery. There was a certain tone-deaf antagonism attached to what she was saying. Basically, her body language and tone screamed “I’m fed up with y’all niggas, and you’re about to hear why, dammit!” But, on Sunday, as I reflected on the discussion, I realized that she actually didn’t complain about anything we don’t regularly complain about to each other.

She’s a stage manager, and the story she shared had to do with how Black actors are pretty much never on time. Once, when she asked a group of habitually late actors to be more respectful of her time, they felt disrespected and starting showing up even later just to spite her. (I actually laughed aloud when hearing that)

Again, she had the type of tone and assistant principal-esque demeanor that made it pretty easy to see why someone would respond to her the way the actors did. But, I do wonder if we just have a legitimate problem with getting “called out” by White people.

Actually, that’s a lie. I don’t wonder about this. I know we generally do not take kindly to White people criticizing anything that has to do with Black people and Black culture. As stated earlier, the criticism could even be the exact same thing we criticize about ourselves, but a White voice seems to make that criticism invalid.

For instance, in the last couple of months, there have been at least two high-profile instances of a non-liberal White person publicly criticizing something related to Black people and facing serious repercussions because of it.

John Derbyshire’s “The Talk: Nonblack version” — a “letter” to his son teaching him the best way to avoid violent confrontations with Black people — got him fired from his job at The National Review. While Derbyshire deserved to be fired for using shitty science to back his race-based racist assertions, much of what he said in his piece has come out of our own mouths many times.

In fact, three of his pieces of advice — “(10a) Avoid concentrations of blacks not all known to you personally, (10b) Stay out of heavily black neighborhoods, and (10c) If planning a trip to a beach or amusement park at some date, find out whether it is likely to be swamped with blacks on that date” — are things that can be found in our freakin book.

In one of our chapters, Panama jokes that any guy trying to avoid having to fight anyone while on a date should stay away from places that young Black people congregate, like Applebee’s, night clubs, and Detroit.

You could make the same point about Naomi Schaefer Riley, who was recently fired from The Chronicle of Higher Education for writing a piece criticizing the value of Black Studies courses at universities. Was she wrong for flippantly dismissing an entire field of study? Yes. But, raise your hand if you’ve ever joked among other Black people that a Black Studies degree is about as useless as thumbs on a roach.

Granted, Riley and Derbyshire aren’t the best examples to use when making this point. Both were being intentionally sensationalistic, and they both basically got what they were asking for. But, it’s not only the non-liberal Whites who get this type of push back. I’ve read 1000 word long criticisms of Roger Ebert — a man who’s about as liberal, articulate, reasonable, and well-read as a person can possibly be — just because he gave a Tyler Perry movie a (deservedly) bad review, and I can’t count how many times I’ve heard White sports pundits called racist because they had something bad to say about a Black athlete. In these instances, the tone didn’t even matter. It just came down to “You’re White and he’s Black and that means you can’t say shit”

Anyway, that’s it for me today. I’m curious though: Do you think we have a problem with hearing criticism from Whites? If so, do you think it has more to do with the content of the criticism, or the tone/manner used to criticize?

Lastly, can you think of a time/situation where it was ever “Ok” for a White to call out a Black person/Black people in regards to something race-related?

—Damon Young (aka “The Champ”)