Break On Through: Understand Where I’m Coming From?

So I’m black.

(Don’t you love when I open up with that line? It’s like a precursor to some race based observation on something race-related. Like NASCAR. Thank you.)

I had the privilege of growing up in very different circumstances. For instance, during my early years, I was raised by my white mother (as my father, though around, was in another country preparing me for a new family), in a black populated area. Some might call them projects, I choose to call them very low-to-no income housing.

What transpired can only be called a social experiment in whether or not white people can truly raise black kids. While my other black peers were listening to Michael Jackson and Prince, I was listening to Michael Jackson and AC/DC. Or ZZ Top. Or Ratt. Or my personal favorite, Judas Priest.

And you couldn’t tell me nothing about Ozzy Osbourne and Black Sabbath. I was diehard.

At 5.

At age 6, my younger sister and I, heavy metal and motorcycle boots in tow, left my mother’s care in Michigan and moved in with my father in Germany. So you can imagine the culture clash that was little Panama and his new soon-to-be sisters and mother. Have a look see.

Panama’s New Sister-To-Be: I just got that new Janet Jackson!! Controoooooooool!

Porno for Pyro’s Panama: Umm…do you have any Judas Priest? I really like Judas Priest. Or maybe some Ratt.

Panama’s NSTB: What is Judas Priest?!?!!!! Mommy, this new boy that you all brought home just curseded!

(Actually, my sister couldn’t speak English very well at that point since she was going to German school. Little known Panama fact, I taught one of my sisters how to read in English. At age 7. )

PP Panama: *two fingers in the air in Satan/Texas Longhorn salute* Rock on!!!!!

Now this was all a social experiment because my mother’s musical tastes became mine. Kind of like how Kanye said he was very feminine and gay acting in high school because he was raised with his mother. Except not even remotely similar.

With my mother’s musical tastes, I often became the kid that folks didn’t understand. Buying toy bats (of the flying variety) and trying to bite their heads off a la Ozzy will do that to you. However, over time I gained my parents appreciation for “black” music. I started getting into Alexander O’Neal, Michael Jackson (even more), Prince, and of course all the old school soul music my parents had stored up in their record collection. Talk about confusion. It got even worse in middle school. I’d go from listening to Guns ‘N Roses to the Geto Boys in about 3 seconds flat. Skid Row?? Def Leppard?

Homey, pour some sugar on me.

So where is all of this going? Well its going here. My mother’s influence on my early musical tastes have helped me TREMENDOUSLY in life. It allowed me to be way more open-minded in my music than a lot of folks I knew growing up. I’d be rocking my Green Day albums while my friends in high school thought I was listening to that “white music” too much.

Dude, they had an album called Dookie. I was like 13. Who couldn’t get behind that?

And it’s amazing that at this point in my life the vast array of music I listen too. I’ll go from listening to the Blackbyrds to listening to the Doors (as I’m doing right now…I think the classic rock song “Light My Fire” might be one of my new favorite songs of all time). I have thousands of CD’s at this point (on last count) and you’ll find some of the strangest shit ever in that mix. Hell I still purchase music.

I have all of my old school music segregated since I like to consider those albums the gems of my collection. But mixed in with those are my Guns ‘N Roses Appetite for Destruction album, my Doors albums, my Rolling Stones and Beatles albums, though I seriously think the Beatles are WAY overrated.

Yeah I said it!! I’m a gangsta. And I hate Jim Jones.

I often wonder why we, as black folks, are so quick to dismiss rock music (or any other type of music not done by black folks), especially since about 90 percent of the early rock music is just blues music being sung by white boys. Granted, the music was taken and given life by the new white audiences who couldn’t care about the black originators, but alas, if it’s good it’s good. And how many people REALLY don’t listen to rock because of the racism behind it? Not very many. Most folks don’t because it’s “that white sh*t.” Hell, I used to hate on country music. HARD. That was until I started listening to Johnny Cash. Now I’m hooked. And if you don’t think Johnny is country, then I listen to Kris Kristofferson too. The Highwaymen rocked.

I don’t know how people listen to solely rap or R&B all day long. It would truly drive me nuts. Especially with all the great jazz out there. Speaking of jazz and obscure R&B, it wasn’t until college and I met one of my boys who probably introduced me to more jazz and 70′s era soul music than you can shake an old cat at, that I even got into jazz. This dude’s knowledge and catalog is extensive but I was open to learning. Now I’m like niggas with Independence Airline tickets…on a whole nother plane.

Get it? Cuz they shut down…

*rimshot*

Aww go to hell.

Anyway, I know how I got to how I am; how’d you get to where you are?

Put a little love in your heart.

-VSB P aka THE ARSONIST aka TANGLE JIG P aka GIIIIIIIIIIIIIIIIIIIIIIIIIIIIIRL HE A 3

I Do This For (Your) Culture?

That's the same thing I did Mr. Benjamin.

I saw the movie Marci X this past weekend. My random movie game is not to be trifled with. Not a bad movie, but not exactly one I’d recommend anybody spend time watching. Of course, if you’re bored and don’t have anything else to do, there are much worse movies you can watch than Marci X like say Who Made The Potato Salad?

Well, in the movie, Lisa Kudrow stars as the billionaire heiress to a music company mogul who is trying to get Damon Wayans (his name is Dr. S in the movie) to apologize for some of his brash lyrics. Well, they end up dating and the plan is for him to go and apologize for his lyrics at the MTV Music awards.

Well, as Damon Wayans date to the awards show, Lisa Kudrow’s character does what any white woman dating a thugged out Black man would do…

…she dresses like an Erykah Badu knockoff.

Say heffa say what???

Oh no she didn’t.

She was fully garbed in a headwrap, a kinte cloth wrap dress, some beads, and I could have sworn I saw an African medallion somewhere. Pure and utter non-sense. And it wasn’t offensive or anything, just overdone. Totally overdone.

It got me to thinking about the asstastic mess of a job people do when they’re trying to emulate another culture in attempts to assimilate or show support. And yes, we do a horrible job, regardless of race. This means Black people too. This isn’t just a white thing…this spans ALL cultures.

For the life of me, I don’t understand how people can really be so oblivious to the fact that in our attempts to show support or “understanding” of another culture, we completely turn ourselves into caricatures. For instance, when white people try to emulate Black culture, have you noticed that they pick the most extreme examples of Black culture to embrace? I’m talking gold or platinum chains that hang down to their ankles, doo-rags when they have straight hair, hiphop gear that nobody even remotely attached to Black culture would wear. Hell, sometimes I think that most companies make “hiphop” clothing specifically for the leagues of white people who want to be cool between the ages of 13-24 and think that “Black” culture is the way to go.

And it isn’t like everything is off. It just seems like people take that one extra step that would normally have you falling off a cliff and getting caught by your toenails on a broken bottle of Absolut Vodka hanging out of the side of a mountain.

Let’s not just stop with white people though. Let’s talk about Black folks. Yes, Black folks who think they are doing a service to Africa by wearing sh*t Africans wouldn’t be caught dead in. Have you ever noticed how ridiculous a lot of Black folks look when they are paying tribute to “mother Africa”?

Me too.

Hell, it offends me sometimes. Throwing on some kinte clothe pants some slippers exposing your flour-powered toes and putting on an “African” hat you purchased from an Arab guy in your local mall doesn’t exhibit support. It exhibits an exhibit of what not to do when trying to show support to your African brothers and sisters, most of whom you’ll never actually meet.

Hmm…I wonder. Has anybody ever thought to ask an African what they would wear at some sort of traditional ceremony in their home country?? It seems as if the biggest problem we have is that none of us ever ASKS a person of the culture we’re attempting to copy what THEY would wear.

And that includes Africans too.

I’m not sure whose worse in this case, white people or Africans. See, it would seem that Africans get their Black fashion ideas from the same place white people do.

Television and other white people.

And I’m just not quite sure which shows either of them are watching.

Hmmm…

Africans that try to dress like Black Americans miss the mark so hard you have to wonder where they were shooting. It’s the same problem white people have, and its the same problem Black Americans have when trying to be more “African.”

Just makes you want to slap everybody.

For some reason, in our attempts to show support we end up mocking the very thing we want to support. How dumb is that? Thats why I don’t wear anything traditionally African now. Hell, I don’t want to walk outside and offend an African. Some years ago I bought a shirt that said “I (Heart) Afrikan People.”

Hmmm…

It was a good idea when I bought it. Then I thought about it, even wore it once, and felt a whole lot of weird because I’m not African. Well, not in the traditional sense. I’m clearly of African descent.

But the fact is, wearing a shirt that says I Love African People isn’t exactly showing love, it feels more like a mockery. I can wear a shirt talking about I love Black people because well…I’m a Black dude. I associate with Black people. (Allegedly) African people view me as Black. Basically, its like a white person wearing a shirt that says I Love Black People. The right sentiments might be there, but truth be told, it almost looks like a slap in the face. That’s some shit you say after you say something ignorant to attempt to cover your tracks.

And I’m ignorant…so I know what you say when trying to cover your tracks.

I keed I keed.

Back to the point here…it’s interesting how in our attempts to show support we often end up mocking other cultures, openly.

What makes it even more f*cked up is this. In the movie, Lisa Kudrow dressed up as a stereotypic “down-to-earth soul” sistah, kind of chick. Damon Wayans…was a gansta rapper. That shit doesn’t match. Which highlights another problem. Not only do folks not know what they’re doing…they don’t even know WHEN to not know what they’re doing!

So the next time you see a white chick in a headwrap with some Ankh earrings or a Black guy wearing a kinte cloth dashiki with a map of the middle passage adorning the front…

…slap the living shit out of them then tell them the good news.

You just saved a bunch of money on your car insurance by switching to Geico.

Seriously though, why do you think that we people, as a rule, generally do such a terrible job of emulating and/or supporting other cultures?

Inquiring minds would like to know?

-VSB P aka THE ARSONIST aka MR. LET’S PLAY NICE TODAY aka GIIIIIIIIIIIIIIIIIIIIIIRL HE A 3

PS: VSB recently teamed up with Coliseum Apparel to do a limited run of VSB branded crewneck sweaters. These joints are dope and I’ve already been rocking them about town. It’s still perfect weather for them as well. #teamVSB. Go on over to Coliseum Apparel’s site to check them out and cop you one! They’re going to go fast!!!!

Off-Limits: Are Some Subjects Too Sensitive To Joke About?

 ***As grown-ups who still live within reasonable driving distance of their parents are wont to do, I try to visit my parents on Sundays as often as I can. (Why? Well, my parents are my ace boon coons, and I genuinely enjoy spending time with them. Plus, they always make a ton of food for dinner, it’s always a great way to launch a new week, and, um, did I mention the free food already?) The following is a paraphrased summary of a conversation I had with my mom yesterday evening after dinner.***

Champ’s mom (CM): “Did you see SNL last night?”

Champ: “No maam.”

***Feel free to insert a joke about my parents and I being three of the remaining 17 Black people on the planet who still watch SNL on a regular basis.***

CM: “So you didn’t see the skit about Piers Morgan and George Zimmerman?”

Champ: “Nah. What happened?”

CM: “It had Piers Morgan interviewing a bunch of celebrites for their takes on George Zimmerman’s arrest.”

Champ: “Was it funny?”

CM: “I stopped watching a minute or so into it.”

Champ: “Why?”

CM: “What do you mean “Why?” Of all the things to write a skit about, why choose the Trayvon Martin case? Some subjects are too sensitive to joke about. I was honestly surprised and disappointed that SNL went there.”

***I’ve embedded the skit below. In case you can’t see it, Morgan interviews Ice-T, Kayne, Kim Kardashian, and others, and they each offer their increasingly ridiculous takes on this case and the legal system in general¹***

Champ: “Hmm.”

CM: “What?”

Champ: “I don’t know if I agree with you, Mom. Maybe the skit itself wasn’t executed properly, but I don’t think there are any off-limits subjects. I mean, I agree that the skit may have been in bad taste. But, in order to get the types of laughs comedians depend on, sometimes you have to broach uncomfortable topics. Sometimes the joke works. Sometimes it doesn’t. I just don’t think we should be able to tell people “This subject is too serious to be joked about in any manner.”

CM: ”You’re talking about censorship. I’m talking about common sense. Common sense should tell you that a situation as emotionally and politically charged as the Trayvon Martin case should be off limits. I love that you always try to be so pragmatic and practical, but sometimes being that way gives you some serious blind spots.”

***She’s definitely right about the blind spots. There have been times, both online and off, where my instistence on being “sober” or “irrelevant” or “delibrate” made people upset because they assumed I was being intentionally insensitive. In each situation, I ended up hurting feelings because I just didn’t recognize the possibility that feelings could be hurt. Ironicially, I consider myself to be extremely, almost painstakingly, considerate of others. But, I’ve come to realize that this consideration usually only extends to things that would greatly upset me as well.***

Champ: “I do agree that it’s probably too soon to talk about the Trayvon Martin case in that manner. I still think you can find humor in pretty much every subject, though. Sometimes the humor doesn’t have to be “Haha,” but more just recognizing the absurdity of a situation.”

CM: “Pedophila can be funny?”

Champ: “Every Black person in America has either laughed at or told a joke about R. Kelly — jokes specifically related to the fact that he’s the world’s most famous known pedophile. “Eat the cake, Anna Mae” — a line from “What’s Love Got to Do with It” —  has become one of Black culture’s most popular catchphrases. We use it in a tongue-in-cheek/snarky manner, which makes light of the depiction of prolonged domestic violence and sexual abuse the line comes from.”

CM: “Hmm. Two of your nieces were shot a few months ago. One almost died. Where’s the ”funny” in that?”

Champ: “Um, well…um…”

CM: “Exactly.”

***As you can see, my mom has a way of shutting me up.*** 

¹I watched the skit on Hulu a half hour or so after our conversation. The verdict? I agree that SNL probably should have picked a different subject. But, I thought it was…funny.
—Damon Young (aka “The Champ”) 

Madame Noire Web Series “Ask A Black Man” Featuring Panama Jackson: The S.E.X. Episode

Two weeks ago, Liz and Madame Noire premiered the inaugural episode of their web-series “Ask A Black Man” where a panel of ninjas, including myself, were asked various questions about what life was like for a single Black male.

Shenanigans ensued. Hell, the comments section over at Madame Noire resembled what I’m fairly certain our forefathers were afraid of: democracy gone wrong. Yes, it’s true everybody does have a voice, but they really never should have given some of you ninjas freedom keyboards.

Well, because Liz apparently likes starting fires as much as I do [Liz's edit: LOL YES, I DO!], I’m back for a second episode, which happens to be the third episode. This is the sex episode where a different panel of hombres talk about coyotes mulattoes staplers economics sex. Also, as the series drops a new episode every Wednesday, for those of you who missed last week’s because we didn’t pub it here, feel free to go check it out. It features the homey Streetz from SingleBlackMale.org.

So sit back, relax, and enjoy the vibe as Panama and a gang of ninjas wax philosophical about the three letter word we all love. Pressy play. Diddy. (Or go check it out at Madame Noire!)

 
P.S. The full and uncut version of this episode will air on Ask A Black Man at 6pm EST tonight. It will feature more questions, more answers and all around a fun time. Make sure you log on to Madame Noire to see it.

The Five Most Underrated Black Movies Of The Last 20 Years

Although I still maintain that Black movies can and should do better, I definitely don’t think all is lost with Black cinema. In fact, along with the quotable classics such as “Do The Right Thing,” “Coming to America” and “Love Jones,” there are quite a few (relatively) recent Black movies whose quality and “unforgettableness” has been overlooked to the point where you can justifiably call them underrated.

Here’s five of them.

(Also, before I continue, let me clarify what I mean by “underrated.” You won’t see movies like “Ghostdog” and “Fresh” on this list because, while not many people have seen them, most of the people who have actually seen them think pretty highly of them. The flicks I’m mentioning today have been seen by many, but just aren’t rated as high as they should be.)

“Drumline”

This movie had a very great chance at being shitty. In fact, I remember specifically not seeing this in the theater because I literally said “This movie will very likely be very shitty” when I first saw the trailer and realized that it was starring…Nick Cannon.

Now — and I will definitely devote an entire day to this topic at one point — is there another person in Black culture whose level of cultural (dis)respect is so vastly mismatched with his actual production? Seriously, Nick Cannon has been legitimately successful in everything he’s done, and has helped launch the careers of numerous actors and comedians, and has been with some of the most fantasized-about women in the world, but he still doesn’t get the type of love that his success should warrant. Seriously, Nick Cannon is the reason why this movie doesn’t get the props it should, which is crazy because he’s the main reason why it deserves props!

Anyway, I (obviously) finally got around to seeing it. And, aside from the fact that they cast a 49 year old actor as a college senior, everything about this movie works. The band scenes are cool. The story line is believable. Zoe Saldana and Nick Cannon had genuine chemistry. Shit, they even brought Jason Weaver back from wherever the hell Jason Weaver hangs out when he’s not making movies about drummers.

“Life”

This movie was extremely funny, had a great cast (Seriously, take a minute and go look at its IMDB page), and had a few signature/quotable scenes. (My favorite? The Boom Boom Room bit)

So, with all of this in place, why don’t people talk about it more? Three words: The ending sucked. Now, it wasn’t just the ending that sucked, but the fact that we knew Eddie and Martin were innocent and we still had to watch them stay in prison for 50 years. At first, the whole wrongly convicted thing was funny, but after about an hour or so you can’t help but wonder when the hell they’re going to get out of prison. It would have been a much better movie if they let them go to the major leagues with Bokeem Woodbine and followed their hijinks there.

“Undercover Brother”

Let’s just say that any movie where Dave Chappelle is only the 5th or 6th funniest person in it definitely deserves a shitload of love.

“Hoodlum”

Let’s forget for a minute that Vanessa Williams’ and Larry Fishburne’s romance took up waaaaaaaaaaaaaaaaaaaaay too much screen time and was about as compelling as a Mitt Romney mixtape. Let’s also forget that Andy Garcia definitely was definitely given a suitcase full of 20 dollar bills to be in this movie. In fact, let’s even forget about the fact that, to be quite honest, the movie wasn’t really that good.

What made “Hoodlum” memorable was the fact that the actors — Tim Roth and Chi McBride, specifically — clearly had fun with their characters, and this made the movie pretty enjoyable. You could even tell that Cicely Tyson probably hadn’t had that much fun since those crazy-ass loft parties Frederick Douglass used to throw.

“Deep Cover”

This movie is largely (and understandably) forgotten about because it was released in that 1989 to 1992 period where heavyweights such as “Do The Right Thing,” “Boyz in The Hood,” “X,” “New Jack City,” “Menace to Society,” “Juice,” and “Boomerang” were made. (Wow. Look at that lineup again. All released within a 30 month span)

Still, this movie is definitely entertaining, and so rewatchable that they decided to remake it 7 years later and call it “In Too Deep.”

Anyway, people of VSB, did I forget anything? Can you name any other underrated Black movies you’d add to the list?

—Damon Young (aka “The Champ”)

***For all the folks in the DC area, this Saturday, April 7, from 930pm-3am at Liv Nightclub (11th and U Street, NW) is another edition of #REMINISCE, the party dedicated to all 90s everything brought to you by VSB, Shine On Me, and Just Cause Events. It’s FREE BEFORE 11 w/RSVP (reminiscedc.eventbrite.com), a Courvoisier sponosred open bar from 930-1030pm, and no dress code! It’s cheaper to come out and party. Last month’s party was OFF THE HINGES! Somebody shook my hand when they left and just said, “Thanks P, for throwing this party…” <—- not lying. So come and make it do what it do this Saturday at Reminisce!***