Why Ashley Judd Was 100% Right…And 100% Wrong

They're raping everyone out here

Unless you’ve been hiding under a rock or one of Big Baby Davis’s boobs, you’ve undoubtedly been made aware of the negative comments Ashley Judd made about hip-hop in her upcoming memoir, “All That Is Bitter And Sweet

“Along with other performers, YouthAIDS was supported by rap and hip-hop artists like Snoop Dogg and P. Diddy to spread the message…um, who? Those names were a red flag.

As far as I’m concerned, most rap and hip-hop music — with it’s rape culture and insanely abusive lyrics and depictions of girls and women as ‘ho’s’ — is the contemporary soundtrack of misogyny.”

Predictably, these remarks set off an internet firestorm. There were reluctantly pro Ashley articles, pro-Ashley articles, Ashley for president articles, reluctantly anti Ashley articles, anti-Ashley articles, all white b*tches must die articles, and all black n*ggers must be castrated articles. As of 11:05pm EST Wednesday night, googling “ashley judd hip-hop” returned 3,620,000 results.

It’s been a little over a week since these comments were made public. In the time since, after apparently receiving death threats from everyone from Diggy Simmons to Andrew Bynum, Ashley has “clarified,” stating (from her interview with Russell Simmons on Global Grind):

…My intention was to take a stand to say the elements that are misogynistic and treat girls and women in a hyper-sexualized way are inappropriate. The male dominance that is displayed, and the reinforcement of girls’ and women value and identify as primarily sexual, is not helpful in any artistic expression, in any cultural form, whether its country music or in television story lines.”

She even gives a shout-out to hip-hop’s richest and most notable nihilist.

“As for the artists themselves who I mention, I write about being friendly with and enjoying Curtis Jackson’s company, then being confused when on stage his .50 personae comes out.”

(I just have to say that I’m absolutely tickled that she referred to Fiddy as .50.)

As far as whether Judd’s initial comments — particularly the “rape-culture” remark — hold water, let me share something with you.

I originally was going to title this “25 Reasons Why Ashley Judd Was Right,” and, instead of creating my own reasons, I planned to just take “rape-sympathetic” lyrics from 25 different songs made by uber-popular artists in the last two or three years and list those instead. Each genre of rap — from the South and the mixtapes to the “conscious” and the club — would have been included.

Yes, rap is much, much more than running trains, putting p*ssies in sarcophaguses, and bruising esophaguses, but no with a working brain and even one working ear can deny that hip-hop is EXTREMELY misogynistic. You can argue and debate exactly why it’s so women-hating, but you just cannot ignore the fact that it is, it has been for (at least) 20 years, and it’s getting worse.

With that being said…

I haven’t read Faith Evans’ “Keep the Faith: A Memoir.” I also haven’t read Janet Jackson’s “True You: A Journey to Finding and Loving Yourself.” And, although the cover looks nice, I’ll probably never read Victoria Rowell’s “Secrets of a Soap Opera Diva.”

But, although I’ve never read any of those books, I’m 100% certain that none of them contain any disparaging remarks about country music, grunge, metal or any other genre of music where popular artists have been accused of being misogynistic. While every person obviously has a right to speak up about injustices, I’m not so certain that hip-hop needs a country music scion to police it.

Yes, these statements were published in her memoirs, and (good) memoirs are basically published diaries — completely naked accounts of your life and your thoughts –but that’s actually my point: Why did she even feel the need to go there? I mean, when I eventually write my memoirs — “The Passion of The Deez” coming in July of 2031 — you can be certain that I’m not going to devote an entire paragraph to my feelings about Billy Ray Cyrus or Johnny Cash or Boris Yeltzen or anyone or anything else I really have no business writing about.

This isn’t a race thing either. If a white person with a bit more of a relationship to hip-hop or even a pop culture critic like a Chuck Klosterman made these remarks, fine. But, an actress whose two most notable claims to fame are A) coming out of Naomi Judd’s vagina and B) rooting for a college basketball team?¹ Miss me with that.

Anyway, people of VSB.com, what you do think about Judd’s statements? Do you think she had a valid point? And, even if you think she might have a point, how do you feel about someone like her publicly expressing it?

The carpet is yours.

¹To her credit, Judd does have a very extensive and very laudable history of women’s rights advocacy. I was told about this after I posted the entry, and this knowledge has softened my stance quite a bit. Still, I prefer my hip-hop critics to have a bit more of a connection to hip-hop culture, though

—The Champ

If you haven’t purchased the paperback or the $9.99 Kindle version of “Your Degrees Wont Keep You Warm at Night: The Very Smart Brothas Guide to Dating, Mating, and Fighting Crime” yet, what the hell is stopping you?

all falls down

kanyewest-allfallsdown

last week, it was reported that urban lifestyle jerk mag king would be going under after six years of providing prisoners the masses with monthly feature pictorials of scantily clad g-list black celebs, strippers urban models, and whores reality show contestants.

while news of a black-themed, print-based company folding isn’t necessarily a shock in the TET (hostess, 2009), the king’s demise reverberated throughout the web, as many see this as a small defeat for team misogyny.

While the women photographed in the pages of the tawdry rag were all full-grown adults who are to be held accountable for their own exploitation, there is still a debt of shame to be paid by the publishers, writers, advertisers and consumers of the stank rag. (sister t)

So perk up ladies, what activism, engagement, and a desire to confront foolishness couldn’t do, the economy handled for you. Exhibit number 567 that is you cut off the money, the foolishness goes away. (whataboutourdaughters)

i’m neither equipped nor motivated to attempt to fully discuss and dissect the ignominious relationship between american black women and sexual objectification.  i know that history hasn’t been too kind to our sistas in this regard, and i know that much of the blame can be pointed towards jim jones.

still, lost in the hyper-sensitive shuffle is the fact that, across all demographic lines, black women remain the single most fascinating object to view on the planet. admittedly, the basis of this fascination varies from homage to hottentot, but where’s the line? where does admiration end and objectification begin? am i helping or hurting the cause by using an pictorial of bria myles’s air-brushed booty as partial evidence of my assertion that black woman are the bangingest? if a black blogger bones a silcone angel in the woods, would a hoodrat hear the sound?

i dont know.

all i know is if appreciating the freeze-framed image of stacey dash and stacey dash’s n*pples running through the airport in kanye’s “all falls down” constitutes misogyny, well, if misogyny is wrong, i dont wanna be right.

—the champ