“Put It In Your Mouth” and Gender Equality In Hip-Hop

This totally happened.

This totally happened.

I’ve always been somewhat baffled by just how “excited” everybody gets when “Put It In your Mouth” comes on in the club. For all intensive purposes, it usually comes on at the point in the night when the party goes from the joint to pajama jammy jam levels. Hell, as far as great unifiers go, the only musical entity bringing together more people is Justin Timberlake.

But there you have it, “Put It In Your Mouth” the oral sex anthem from 1996 is still going strong. And there’s a reason for it. It just might be one of the few hip-hop songs where men and women are equal. Sure there are lots of songs where a man and woman trade bar, but in almost all of them, the woman hoes herself with tremendous aplomb. Think Trina in “Nann N*gga”. She’s talking about smanging five or six best friends etc, which I’m fairly certain isn’t exactly female empowerment. I could be wrong on this as my feminist handbook got run over by either a Beamer, Benz, or Bentley.

Me and my n*ggas trynna get it ya bish.

By the way, I know it’s “all intents and purposes”. Keep calm and rub t*ts if you love Big Poppa.

“Put It In Your Mouth” on the other hand gives the woman equal time to let the man know exactly what he needs to be doing to please her. And the dude, in this case, Akinyele, is listening, taking notes, presumably because he’s going to eaaaaaaaaaaaaaaaaat her ouuuuuuuuuut.

Let’s switch gears for a second. Hip-hop has an interesting relationship with female empowerment. If I get any of this wrong, feel free to correct me. Purge me, Brother Numsie. I want the knife. Please. But aside from “Ladies First”, Queen Latifah’s first single where she actually looks older than she IS now and “U.N.I.T.Y.” there aren’t too many known songs where women are “taking a stand” and its not sexual. It seems like all female empowerment in hip-hop is of the sexual variety. She’s pulling dude moves by sexing anybody she feels when she feels it. It’s that Ronnie Ho stuff from The Player’s Club. Aggressive, assertive women who play the game like men do. Except while most men enjoy the sexual nature of the lyrics, I don’t know that any dude was every trying to seriously wife Lil Kim or Foxy Brown. Sure we all talked about smashing, but does anybody know a dude who was like, “yo, I’d like to see if I could build something with a chick like Lil Kim?”

I ain’t saying it ain’t possible, I’m just saying that you might not trust a dude who told you had real feelings for Lil Kim.

Now the reasons for this are probably simple. In order to make it in the man’s rap game the women had to appeal to the men. Long gone were the days where songs like “Poor Georgie” and “Paper Thin” were interesting to hear from women rappers. Even women rappers today like your Rhapsody’s don’t get much burn. Part of that is that you seem to have two types of women rappers, sexxy time rappers and women rapping about rapping – which bores the living f*ck out of most people regardless of gender. Go ask Tyrese aka Black Ty.

Back to empowerment. Men seem to be only accepting even decent rapping women like your Nicki Minaj’s – who is definitely a motherf*cking monster – when the oversexualize themselves. Chicks who can spit only seem to get notice if they dress like they stopped at Frederick’s of Hollywood. Obviously men have always viewed the fairer sex through sexual lenses but it seems like many women have not only embraced it but decided that its how they SHOULD be viewed. Odd future. So even if many women spitters are out there ridin’ ’round and gettin’ it in the booth, the truth is, the successful ones are only getting attention by being as lewd-a-crous as possible. Which is interesting since none of us claim to want to support this music.

You gotta believe in something. We all try. The girls try. The boys try. We all try.

Quite simply, I don’t really think of any of these women rappers as doing much to advance any agenda or equality since they’re all just stripping with words basically. And while I definitely support the cause of the video ho and the pole performing artists, I can’t say I really think they’re doing much for gender equality. It always feels lopsided.

Which brings us back to “Put It In Your Mouth”. It doesn’t feel lopsided. Yes, it’s about sex. But it’s about a man and a woman getting equal time and shine for the same reason…making sure the other knows what is about to go down. There’s almost…dare I say respect there? Plus, its one of the few songs that comes on in the club where dudes stop and listen to the woman in front of them singing the words.

Basically, it’s the only hip-hop song (that really comes to mind) where the man and the woman are equals.

A reach? Sure. But hey, you can’t break a few omelets unless you reach for the stars. Sadatay.

Is “Put It In Your Mouth” the only hip-hop song with true gender equality? Are there others?

What the hell is Panama talking about? Does anybody know?

Talk to me.

-VSB P aka THE ARSONIST aka MR. I WROTE 900 WORDS ABOUT PUT IT IN YOUR MOUTH aka GIIIIIIIIIIIIIIIIIIRL HE A 3

DC: Thursday, March 21, 2013: Re:Mix Live – The Motown Edition

Remix Live Promo 002

 

For those folks in DC, I’d like to invite you all out to new type of event. On Thursday, March 21st, we’re bringing you an event entitled Re:Mix Live. It’s a new type of producer/DJ showcase that’s not so much just about the performers but about engaging the audience. We’re using this first show to focus on music from Motown. All of the music that will be remixed and recreated uses music from the great Motown catalog. This way, nobody is just sitting around while producers play music you’ve never heard before using samples they’ll never tell you about.

No, at Re:Mix Live, you’ll get to see and hear the art of remixing and sampling done live and in front of you as we pull old songs and turn them into brand new ones on stage…not just instrumentals, but new songs with lyrics, etc. It should be an experience, not just a show. We’re excited to try something new and add it to a landscape of sparse hip-hop shows in DC. But even moreso hip-hop shows that are just for heads. This is going to be for everybody who loves music.

So come on out, Thursday, March 21 and help us try something new hip-hop and music-wise in DC. We’ve got a great lineup of producers and DJs, and hosts that will keep the crowd involved. Peep the flyer for details and see you then!

Re:Mix Live

Thursday,  March 21s at Liv Nightclub (2001 11th St, NW)

$10 21+//$15 under 21

Doors at 7PM, Show at 8PM

What Does Hip-Hop Look Like To You?

A couple of days ago I got a text message from one of my homies from way back. Somebody she knew read the recent profile of Jay-Z by Zadie Smith in the New York Times that read an awful lot like any other profile of Jay-Z talking about being Jay-Z. You know the one, where the interviewer goes into total fanboy mode – no judgement, I’ve never met anybody of Jay’s stature so perhaps I’ll be starstruck too – and their excitement jumps off the page a little too much? Anyway, somebody that the homey knows who wasn’t that up on Jay or much of hip-hop asked her for some hip-hop songs that he should check out.

You know, this is the moment that most fans of hip-hop wait for in life. See, most folks you come across already have an opinion on hip-hop, either good or bad. If they’re upwardly mobile and white, chances are that they view rap as the devil spawn of what happens when Nikki Sixx meets cocaine meets Harlem meets blaxploitation. But every now and then, you come across that person who is open-minded enough to still be willing to form a new opinion. And thus you get the opportunity to introduce this person to the art form you love and help to shape their impression. Basically you get to point them to your own personal version of what hip-hop looks like. You know, not Chief Keef and whatever is going on with the Chicago Public Schools. And no Soulja Boy. And you can take them to a place where people named Lil Reese and Lil Scrappy are more irrelevant than they currently are.

Yes. You get to create a Hip-Hop Utopia and introduce this individual to the good sh*t. So the homey and I went back and forth on songs that she should present to her friend. Believe it or not, there’s a lot of pressure involved here. So I figured, I’d bring the pressure to you all. But first, if I was given the opportunity to represent hip-hop to somebody who was open enough to believe that my version of the genre was the one to believe in, and I could only share ten songs, here are the songs I’d offer up:

1. Pete Rock & CL Smooth – T.R.O.Y.

Pretty self-explanatory here, plus it’s my favorite song in hip-hop and one of my favorite songs period. I get to pretend like all hiphop is beautifully produced full of verses about something and nothing AT THE SAME DAMN TIME (and get to use played out statments like that one…which makes no sense because I wouldn’t actually say that…the Ravens put up 41).

2. Geto Boys – Mind Playing Tricks On Me

For one, it samples Isaac Hayes and I just got finished watching the Stax documentary for the umpteenth time. For two, it’s a song about paranoia and it proves that hip-hop can actually discuss mental health issues. Mmhmm. I said it. Obama is fighting for the right for songs like this. Dr. King marched for this song. Plus, it’s just a great hiphop song.

3. Eminem – Lose Yourself

Probably the best song in his catalog and the perfect description of what it feels like to step on stage. Plus, it describes the essence of hip-hop. It’s not a slow burn type of sport, it’s about taking in the moment, rising to the occasion, and leaving no doubt. It’s like Remember The Titans, except not at all.

4. Queen Latifah – Ladies First

Mostly because I actually think King La went off on this joint and Monie Love repped for the ladies quite properly.

5. Nas – One Mic

This song is pure hip-hop from one of the purest representations of hip-hop, you know, when he’s not channeling his Rick Ross aspirations.

6. Notorious B.I.G. – either Juicy or Kick In The Door

“Juicy” is probably the most logical choice because it’s the story every rapper wishes they had. Minus the phone bill being about $2000 flat. Luckily, most people have unlimited plans now. ‘Pac and Big died before that happened though.”Kick In The Door” on the other hand is so perfect to me. I’d marry it if it wasn’t probably already married to “Unbelievable”.

 

7. Outkast  – Bombs Over Baghdad

This isn’t even remotely my favorite song by the group, however, it’s such a dope record that shows how different hip-hop could take it, I’m all in. Oh, and by the way, ATLiens is my favorite ‘Kast album though Aquemini is totally worthy of its praise.

8. Jay – Z – Can’t narrow this down…Reasonable Doubt

I know this is cheating, but I can’t do it. I can’t pick just one.

9. Bone Thugs-N-Harmony – Thuggish Ruggish Bone

It’s just a dope ass song. Sue me. Worthy of being included for diversity of sound’s sake.

10. Tupac – Keep Ya Head Up

Self explanatory again.

Okay, there are so many songs and artists I didn’t include for various reasons but could easily deserve a spot on this list. However, I will bring it to you, the people…and for those that hate hip-hop, I’m gonna throw you a bone here…list some of the songs you think are the worst representation as evidence of the terribleness. Equal opportunity, plus I’m curious as to what songs folks who hate hip-hop really know and view as proof positive of the negativity within.

So creep with me folks…what does hip-hop really look like to you?

-VSB P aka THE ARSONIST aka MR. HIP HOP SAVED MY LIFE aka GIIIIIIIIIIIIIIIIIIIIIIIIIRL HE A 3

Don’t forget to tune in tomorrow night to www.blis.fm/theblaqoutshow from 8-10pm to check out The Blaqout Show as we discuss what’s going on in the world of politics, love, and fashion! Holla if ya hear me!

Pete Rock vs. Lupe Fiasco: Out With The Old, Out With The New

If you follow Twitter and hip-hop sites over the past few days, you no doubt came across a new song by Lupe Fiasco entitled, “Around My Way (Freedom Ain’t Free)”. If you’re like me you intended to ignore it completely because you’re not a fan of Lupe at all. But apparently most lots of people like Lupe for whatever reason. I was going to ignore it but then I read the description and I noticed that Lupe rocked over a sort of refurbished version of “T.R.O.Y.” by Pete Rock and CL Smooth.

Scrrrrrrrrrrr?

Okay, let’s lay it all out. I listened to a recent (like few hours old) radio interview with Lupe Fiasco at WGCI in Chicago, where he explained that he spoke to Pete about remaking the seminally classic record beforehand. That’s nice. I don’t really feel that was necessary but its nice that Lupe felt a need to reach out and respect the elders so-to-speak to get his blessing. So let’s assume that Pete Rock gave his (unnecessary but understandable) blessing to remake the track. Lupe then enlists some producers to remake the record and then he rocks out to it.

Cool beans. He then releases the record and the Internets, who often clamor for Lupe records, go nuts. That’s where we were Monday when the joint dropped.

Then Pete Rock chimes in. I’ll just provide his entire Twitter rant for your pleasure:

No disrespect to lupe fiasco and i like him alot but TROY should be left alone. Feel so violated,the beat is next to my heart and was made. Outta anguish and pain. When it’s like that it should not be touched by no one! It’s so hard for folks to make original music, I possess that, but these dudes are scared of that and this is supposed to be HIP HOP? Man I’m a lupe fan and everything but TROY was my homie man. I think about him and Hev every fucking day!!!! Smh

Who ever Re-created that didn’t do a good job @ all. #nohate.This business can be so lame, sometimes I make beats blindfolded with one hand tied behind my back and still these cats can’t be original to. So untalented and unoriginal. Makes me feel like I’m truly the best that ever did it. Yo hev and t-Roy I love and miss da shit outta y’all. U guys have been violated with no Vaseline. So fucked up this business smmfh!!! And I don’t care who got something to say about it, kiss my.. I’m not flattered @ all. Dat shit is wack, and the producer should be ashamed of his fuckin self. Smh That record is dear to me yo fuck deez niggas!!!! I’m still Dat nigga out here believe it or don’t. Ur ignorance not mine, lame duck bullshit. I think lupe is a great artist, I’m that angry with him but it’s a major label idea. I can feel it. And y’all need to stop the childish games, I’m a fan of lupe and he is a great artist and a great person.

Alright, so that’s where we’ll start.

Full disclosure, I’m a huge Pete Rock fan. He’s probably my favorite producer of all time. And anybody who knows me knows that “T.R.O.Y.” is hands down my favorite hip-hop record of all time. I even spent $30 bucks to have the Tom Scott album that the sample came from, Honeysuckle Breeze, shipped to me from Japan. Hell, the monthly party I throw is called “Reminisce”. Point is, I’m emotionally invested in that song.

[By the way, I only feel comfortable with putting out that sample source, long considered snitching in the hip-hop world, because everybody and their grandmother has posted the original sample on sites. Even though I've seen it online in a few places one, you'll never hear me disclose the sample for Gangstarr's "Mass Appeal".]

Which is why I understand where Pete Rock is coming from. His issue isn’t that the song was made. No. His issue is that the song was remade and it…

…sucks.

The beat is little bit faster and whole lot suckier than the original. They Drake/40′d it up a bit with the filtering, which does exist on the original “T.R.O.Y.” but something about it is just off.  If you’re going to remake a track, but do it only slightly differently, and it doesn’t sound as good, you should probably just not release it. Or try again. Which I think is Pete’s point. You said you wanted to remake the joint, but you did nothing different and somehow made it worse. Either you flip it or leave it alone. Not mess it up. It’s a classic dammit. When they reminisce over you (my God) you’d be pissed too.

Of course the hiphop Internets went ham with some folks claiming Pete needed to shut the f*ck up and others claiming that Pete was right and that some joints just shouldn’t be touched because they’re too classic. And here’s my issue: both sides are right.

See, I understand where Pete is coming from but at the same time, folks remake stuff all the time and rarely does it sound as good as the original. In fact, I can only think of a few times where somebody attempted to remake something that came out as good if not better (K-Ci’s remake of LTD/Jeffery Osborne’s ”Love Ballad” comes to mind…WHAT!!! SAY SOMETHING!!!). At least they asked for your blessing. Since you gave it, at that point, you just have to accept whatever comes out. Nobody owns a loop. Nobody.

Further, I do find it somewhat (again somewhat) ironic that a person who made his entire living off of sampling would take issue with somebody doing the same, just not doing it as well as he’d like. I’m aware that Pete is one of the best to ever do it, but I’m fairly certain that there are artists that he’s sampled who weren’t happy with the final product. Especially with his later productions (which definitely fell off), if the artists even got a notice about their music being used at all. I remember reading an interview with Bob James talking about people sampling “Nautilus” and he said the only version he realy liked was RZA’s flip of it for Ghostface on “Daytona 500″. So Pete’s beef isn’t a new one, it’s just…ironic that he’s beefing about a remake of a beat that isn’t even wholly original in the first place. Hell, Tom Scott’s song “Today” is a remake of the Jefferson Airplane song of the same name from their Surrealistic Pillow album (a dope album by the way, white people drug music is way better than gangsta rap/drug music). Point is, no idea’s original. Some stuff is just good. Some stuff is just bad. But it’s all just stuff.

So while Pete has a point, its really that he just doesn’t like what they did because they just tried to recreate his beat and didn’t do a good job at it. That’s a fair point. It’s lazy and unoriginal. Which is what he said. But I have to wonder if he’s listened to much of Lupe’s catalog anyway? Lupe the rapper is phenomenal, even if I think he’s a pretentious douche. But Lupe the beat miner is pretty much on Nas levels of craptasticness. His beat selections often suck at the highest caliber of sucktitude. If there’s any reason to beef, that’s the reason. He should be mad at himself for letting somebody who sucks with the beats attempt to remake  his classic song.

Touching classic records is going to happen so all old school producers and rappers need to just let that go. In every other genre there are standards (hell they’re called standards for cripes sake) that get reinterpreted frequently. Hell, there are at LEAST three different versions of “I Heard It Through The Grapevine”. Donny Hathaway’s “A Song For You” has numerous versions even if we associate that song with him. It’s part of music. Reinterpretation happens. But it shouldn’t be noticeably worse than the original if its going to sound similar. Either make it different or just don’t f*ck it up. And Lupe f*cked it up. His lyrics? Eh, passable. I don’t care. But the beat immediately sounded off. No passion. No something. Whatever it took to make “T.R.O.Y.” special is totally missing from Lupe’s record. And that’s why I get the issue with it. But ultimately, it’s one he just needs to let go.

They reminisce Pete. They just don’t know how to do it like you did.

That’s what makes you Pete Rock. Embrace it and move on.

Community, thoughts? Reactions? How many f*cks do you give?

-VSB P aka THE ARSONIST aka MR. 4532 BEST PRODUCER OF ALL TIME aka GIIIIIIIIIIIIIIIIIIIIIIIIIIRL HE A 3

***Speaking of REMINISCE, you can now RSVP for free entry before 11pm ($10 after) for the June 2nd edition, which just so happens to be the Panama birthday jammy jam!!! If you’re in DC, make sure you come out to party with P…for free!!! And drink for free…reminiscedc.eventbrite.com. Peep the Facebook event notice here!!***

Is This What Growed Up Feels Like?

The only NWA I can get with nowadays! Take that Dr. Dre!

Personal growth is a motherlover. Especially when you don’t see it coming. And in some ways it can make you ashamed of who you were just hours before. Or make you call into question decisions you made that led to you making it to the point where you could realize growth that you now have hours later that you didn’t have hours before you experienced said growth.

TCBY.

What am I talking about? Glad you asked.

The other day I was rollin’ in my ’64. Actually it’s an ’07 but who’s counting. Well except for me. Moving on. So I was rolling down the street smoking indo, sippin’ on gin and juice (none of that is true either). As of late my favorite thing to do is pick a Pandora station and kill the battery on my iPhone. Usually its set to either the Patrice Rushen station or the David Axelrod station. Well this fine day, I decided to roll down my windows and blast some of that good ole ignant music I love so much. So I punched in three letters that are world famous:

N.

W.

A.

One of my favorite albums of all time is EFIL4ZAGGIN. Dr. Dre was at his producerial essence on this album and despite its themes (put a pin in that, we’ll get back to this shortly) its a hip-hop masterpiece of beats, rhymes, and life and is sonic perfection. So anyway, I punch in NWA and Eazy E’s “Boyz N Tha Hood” comes on. Okay. Dopeboy anthems have always been one of my favorites and especially since I’m a West Coast music head, there wasn’t much better.

Then it happened.

“Just Don’t Bite It (She Swallowed It)” came on.

Oh. My. God.

Dude, this has to be at LEAST one of the 5 MOST ignorant songs in hip-hop history. Ever. Hell, so is “Automobile” off the same album. Actually so is “Find ‘em, F*ck ‘em, and Flee” on that same album. You know what, f*ck it, EFIL4ZAGGIN is one of the most ignorant pieces of art ever created and sold in commercial outlets. Like seriously…gotd*amn. As I listened to this song (and I know the words by heart) I almost felt ashamed of myself.

Actually, I did feel ashamed of myself. In that one song is rape, statutory rape, complete and utter disregard for women, rampant and blatant misogyny, etc etc etc. Honestly, I kind of wondered how ANYBODY could make a song like that and then say to themselves, “wow, this sh*t is dope.” Dumbfounded. I’m the blast my music loud type of mofo. I turned my stereo ALL the way down as I listened and thought about what I was listening to. I don’t know if it’s because I’m a father to a daughter now or what, but man…

…WHO DOES THAT???

Randomly: I’m not from the West Coast, but it seems like a common theme in nearly ALL early 90s West Coast hiphop involved running trains on women. Um, what the hell is wrong with ninjas in Cali??? Even Ice Cube, arguably the more sensible one of NWA, and the only one to give any of their music any type of substantive element was full of statutory rape and just outright violent disregard for women. I’m not gonna say that it was a West Coast thing, it has been a hip-hop thing, but the abject clarity spoken on those songs is almost disturbing at times.

And I realize that in the hood, things happen. A lot of women involved are willing participants. But who the hell commits sh*t like that to immortality via master recordings? I suppose the same goes with the violent, murder murder murder stuff too.

Obviously, this was is all very conflicting for me because I’m a hip-hop head to the heart. But some of that sh*t just crossed/crosses the line and I’m really curious as to how ANYBODY could make that music. Like, if I could interview MC Ren right now, I’d say, “Ren take me through your thought process when you wrote the lyrics for “Just Don’t Bite It 2 (She Swallowed It)”. Does any of it strike you as not right?”

I’m trying not to chastise my beloved hip-hop and it’s not like I’m going to stop listening to it, but listening to that song shamed the motherf*ck out of me because I couldn’t believe that I used to love it H.E.R. and also that somebody actually made that…somebody with a mama. Maybe this is what growing up starts to feel like. Maybe I already did seeing as how I haven’t listened to anything N.W.A. related in years at this point, partially for this reason and because I have a daughter that I have to raise to love herself.

But egads man…what a lesson. So I wonder, good folks out there, have you had any similar type of “aha” growth moment? If it involved NWA, you and me? We >< here.

Talk to me.

-VSB P aka PETEY WHEATSTRAW aka GIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIRL HE A 3