Last weekend, one of my homegirls invited me to go seeÂ “The Dutchman”Â — a 45 minute long one act play that’s intended to serve as an allegory for Black/White relations in America. Since Saturday was the last day it would be playing at the Bricolage Theater — and since my particular form of bougie Blackness calls for me to witness or partake in at least one “serious” conversation about race per month to offset my affinity for bottomless mimosas — I couldn’t pass it up.
Intense, disturbing, (occasionally) melodramatic, and intentionally provocative, the play itself was pretty much what I expected it to be. The most interesting part of the evening, though, was the “talk back” — the planned, hour-long discussion about race that took place right afterwards; a conversation involving cast members, the theater production people, and the audience.Â The theater only holds maybe 60 seats, and it’s structured so that the audience surrounds the stage on all sides. A quick jaunt to Goggle shows that this is called “theatre-in-the-round”Â — the perfect format to have a group discussion.
As you may have guessed, the audience was (mostly) comprised of Black people and the type of ultra-liberal, well-intentioned Whites who wear t-shirts with things like “WhiteÂ Privilege Sucks” written on them — basically, the exact type of audience that’s always present in any “serious” and open discussion about race that most of us have been a part of. And, usually these discussions are nothing but us (Black people) sharing our stories and airing ourÂ grievancesÂ while the Whites in the crowd nodÂ solemnlyÂ and occasionally share their own self-depreciating stories about when they first realized that all White people are evil racists.
There was one person, though, who didn’t stick to the usual script. She was biracial (White and Native American), and she shared some not-so-positive experiences and feelings involving Black people. Her statements went over about as well as a fart in a crowded elevator; you could hear people groaning and sighing while she wasÂ talking, and everyone there — myself included — couldn’t wait to respond to and rebut some of the things she was saying.
Now, part of the reaction to her definitely had to do with her delivery. There was a certain tone-deafÂ antagonismÂ attached to what she was saying. Basically, her body language and tone screamed “I’m fed up with y’all niggas, and you’re about to hear why, dammit!”Â But, on Sunday, as I reflected on the discussion, I realized that she actually didn’t complain about anything we don’t regularly complain about to each other.
She’s a stage manager, and the story she shared had to do with how Black actors are pretty much never on time. Once, when she asked a group of habitually late actors to be more respectful of her time, they felt disrespected and starting showing up even later just to spite her. (I actually laughed aloud when hearing that)
Again, she had the type of tone and assistant principal-esque demeanor that made it pretty easy to see why someone would respond to her the way the actors did. But, I do wonder if we just have aÂ legitimateÂ problem with getting “called out” by White people.
Actually, that’s a lie. I don’t wonder about this. I knowÂ we generally do not take kindly to White people criticizing anything that has to do with Black people and Black culture. As stated earlier, the criticism could even be the exact same thing we criticize about ourselves, but a White voice seems to make that criticism invalid.
For instance, in the last couple of months, there have been at least two high-profile instances of a non-liberal White person publiclyÂ criticizingÂ something related to Black people and facing seriousÂ repercussionsÂ because of it.
John Derbyshire’sÂ “The Talk: Nonblack version” — a “letter” to his son teaching him the best way to avoid violent confrontations with Black people — got him fired from his job at The National Review. While Derbyshire deserved to be fired for using shitty science to back his race-based racist assertions, much of what he said in his piece has come out of our own mouths many times.
In fact, three of his pieces of advice — “(10a)Â Avoid concentrations of blacks not all known to you personally,Â (10b)Â Stay outÂ of heavily black neighborhoods, andÂ (10c)Â If planning a trip to a beach or amusement park at some date, find out whether it is likely to be swamped with blacks on that date” — are things that can be found in our freakin book.
In one of our chapters, Panama jokes that any guy trying to avoid having to fight anyone while on a date should stay away from places that young Black people congregate, like Applebee’s, night clubs, and Detroit.
You could make the same point aboutÂ Naomi Schaefer Riley, who was recently fired fromÂ The Chronicle of Higher Education for writing a piece criticizing the value of Black Studies courses at universities. Was she wrong for flippantly dismissing an entire field of study? Yes. But, raise your hand if you’ve ever joked among other Black people that a Black Studies degree is about as useless as thumbs on a roach.
Granted, Riley andÂ Derbyshire aren’t the best examples to use when making this point. Both were being intentionallyÂ sensationalistic, and they both basically got what they were asking for. But, it’s not only the non-liberal Whites who get this type of push back. I’ve read 1000 word long criticisms of Roger Ebert — a man who’s about as liberal, articulate, reasonable, and well-read as a person can possibly be — just because he gave a Tyler Perry movie a (deservedly) bad review, and I can’t count how many times I’ve heard White sports pundits called racist because they had something bad to say about a Black athlete. In these instances, the tone didn’t even matter. It just came down to “You’re White and he’s Black and that means you can’t say shit”
Anyway, that’s it for me today. I’m curious though: Do you think we have a problem with hearing criticism from Whites? If so, do you think it has more to do with the content of the criticism, or the tone/manner used to criticize?
Lastly, can you think of a time/situation where it was ever “Ok” for a White to call out a Black person/Black people in regards to something race-related?
—Damon Young (aka “The Champ”)